Posted: Tue Jul 05, 2005 1:24 am
A pale-skinned man steps out through the windmill's doorway holding a pear-shaped hurdy-gurdy with both hands, as a cleric might hold an sacred tome, as a warrior might hold a sword above water, or as a mercenary might hold a mysterious, large, and jingling bag. He blinks several out the initial impact of the sunlight and--turning his head sharply away from the instrument--sneezes.
Keg powder. Arco's eyes water slightly. He skirts a few yards around the Mill's girth until the din inside becomes only a faint hint of song. With his back to the sturdy walls, the man smoothes out his coat, withdraws a small dagger, and sits down with the hurdy-gurdy, staring into the musical instrument's depths. Then a pause.
A very long one. Arco's shadow moves several degrees in restlessness.
Finally, he laughs, with the sort of laugh someone might laugh if they're in front of a mirror and ho-ho-ho'ing in different pitches to see what sounds the most natural and more importantly, more attractive. It is an uncertain laugh, refined by Goronic humor and the pensive sniggles of cut-throat gangsters.
Then the Vagabond gets to work. First, he very carefully slides the fine edge of his knife under the top of the box and slices around it. Reaching in, he cuts through a couple of strings and removes a small jangling organism. What happens next is too complicated to describe. The hands, with their hint of grey in the sun's rays, move deftly in and out of the hurdy-gurdy's cavity, displacing and replacing parts and strings and shavings of wood. Small piles of miscellaneous materials form around him, Sawdust forms a sheet on his pants. The dagger's hilt darkens from use.
Then Arco withdraws a bundle of wood from behind him. From a smaller, cylindrical branch, he carves several curious-looking wooden rectangular prisms. From a larger piece, a new wheel is fitted for the hurdy-gurdy's crank. Shavings flick and drop.
Time passes. The sun grows weary of watching the mechanical diligence of the small being below. The moon takes the night shift, and from its white light, Arco continues to work, his hands almost glowing red from fatigue and finer callouses than they are used to in the mines of the mountains. From its light the finishing touches are applied. The man outside the Windmill strings his creation, setting the wheel and fibers to painstakingly precise contact.
Arco turns the instrument on his side and rests it between his knees. His right hand reaches for the crank as his left fingers steal over the top of the instrument and find their way to the dark, wooden keys. And then they move.
Frankly, the music is terrible. But the player seems not to care. For a few minutes the wheel spins, rubbing against the strings, droning with the melody keys operated by the left hand. And gradually, the song slows, and dies away. Instrument sleeping on his lap, Arco begins to snore.
OOC: Here's an encyclopedia entry for the type of Hurdy Gurdy that Arco has fashioned (from the "pre-programmed" kind). The pictures should help. http://en.wikipedia.org/wiki/Hurdy_gurdy
Keg powder. Arco's eyes water slightly. He skirts a few yards around the Mill's girth until the din inside becomes only a faint hint of song. With his back to the sturdy walls, the man smoothes out his coat, withdraws a small dagger, and sits down with the hurdy-gurdy, staring into the musical instrument's depths. Then a pause.
A very long one. Arco's shadow moves several degrees in restlessness.
Finally, he laughs, with the sort of laugh someone might laugh if they're in front of a mirror and ho-ho-ho'ing in different pitches to see what sounds the most natural and more importantly, more attractive. It is an uncertain laugh, refined by Goronic humor and the pensive sniggles of cut-throat gangsters.
Then the Vagabond gets to work. First, he very carefully slides the fine edge of his knife under the top of the box and slices around it. Reaching in, he cuts through a couple of strings and removes a small jangling organism. What happens next is too complicated to describe. The hands, with their hint of grey in the sun's rays, move deftly in and out of the hurdy-gurdy's cavity, displacing and replacing parts and strings and shavings of wood. Small piles of miscellaneous materials form around him, Sawdust forms a sheet on his pants. The dagger's hilt darkens from use.
Then Arco withdraws a bundle of wood from behind him. From a smaller, cylindrical branch, he carves several curious-looking wooden rectangular prisms. From a larger piece, a new wheel is fitted for the hurdy-gurdy's crank. Shavings flick and drop.
Time passes. The sun grows weary of watching the mechanical diligence of the small being below. The moon takes the night shift, and from its white light, Arco continues to work, his hands almost glowing red from fatigue and finer callouses than they are used to in the mines of the mountains. From its light the finishing touches are applied. The man outside the Windmill strings his creation, setting the wheel and fibers to painstakingly precise contact.
Arco turns the instrument on his side and rests it between his knees. His right hand reaches for the crank as his left fingers steal over the top of the instrument and find their way to the dark, wooden keys. And then they move.
Frankly, the music is terrible. But the player seems not to care. For a few minutes the wheel spins, rubbing against the strings, droning with the melody keys operated by the left hand. And gradually, the song slows, and dies away. Instrument sleeping on his lap, Arco begins to snore.
OOC: Here's an encyclopedia entry for the type of Hurdy Gurdy that Arco has fashioned (from the "pre-programmed" kind). The pictures should help. http://en.wikipedia.org/wiki/Hurdy_gurdy
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